EMMY AWARD Outstanding Non-Fiction Special
GHOSTS OF ABU GHRAIB

(Composer)

PEABODY AWARD FOR SIGNIFICANT AND MERITORIOUS ACHIEVEMENT IN BROADCASTING AND CABLE, 1997
"Hidden Neighborhoods of San Francisco - The Castro"
KQED-TV/PBS
(Composer)
GRAMMY NOMINEE BEST JAZZ VOCAL PERFORMANCE
"Everynight- Live At Vine Street", Joe Williams
(Co-Producer)
CINDY (Cinema in Industry)
Association of Visual communicators
"Different and the Same," Family Communications
AWARD FOR MUSIC COMPOSITION
GRAMMY NOMINEE BEST JAZZ VOCAL PERFORMANCE
"In Good Company", Joe Williams
(Co-Producer)
"Buffy Come Back", Angel and the Reruns
#1 KROQ Top Ten Request (Five Months)
(Co-Writer, Producer)
CINE GOLDEN EAGLE AWARD
"California and the American Dream: The New Los Angeles" PBS
(Composer)
The world's leading documentary film festival, IDFA, celebrated its 20th anniversary with a box set of 20 award-winning films, with "China Blue" in the line-up. The set was released at the 2007 festival.
CINE GOLDEN EAGLE AWARD
"Hidden Neighborhoods of San Francisco - The Castro"
KQED-TV/PBS
(Composer)
CINE GOLDEN EAGLE AWARD
"China Blue"
(Teddy Bear Films/ITVS)
(Composer)
 

NEW!

** Miriam was interviewed for the Special 2008 Music Issue of the Hollywood Reporter Article, “Writing Music For Nonfiction Films”, along with several other noteworthy composers who score documentaries. See her quotes on p.3.



:: MIRIAM'S FEATURED IN BOOKS! ::

An Interview with Miriam in THE DOCUMENTARY FILMMAKERS HANDBOOK: A Guerilla Guide by Genevieve Jolliffe and Andrew Zinne

Miriam was also interviewed for THE CONTEMPORARY CIRCUS: ART OF THE SPECTACULAR by Ernest Albrecht.

Read an excerpted interview about Miriam’s first chaotic performance with Circus Flora

... And mentioned in the book THE NEW AMERCIAN CIRCUS by Ernest Albrecht.


Read some rave reviews for films Miriam scored!

Review of Thank You, Mr. President (Hollywood Reporter)
Review of One Bad Cat
(Village Voice)
Review of One Bad Cat (New York Times)
Reviews of Chris & Don: A Love Story (Hollywood Reporter, NY Times, NY Magazine, LA Times, etc.)
Reviews of Absolute Wilson (NY Times; Newsday)
Review of Thin (Variety)
Review of China Blue (New York Times)
Review of China Blue
(Variety)
Review of China Blue (Boston Phoenix)
Review of Stolen Childhoods (New York Times)
Review of Lost in La Mancha
Review of Licensed to Kill

Women in Film Music -- Or How Hollywood Learned to Hire Female Composers for (at least) Some of Their Movies
Miriam was interviewed in an article in MUSIC FROM THE MOVIES (Issue 40 in 2003)
along with Debbie Wiseman, Shirley Walker, Rachel Portman, Laura Karpman, Ilona Sekacz, and John Ottman.

Miriam was also listed in Music from the Movies Quick Guide to the Ten Most Prolific Female Film Composers
along with Anne Dudley, Lisa Gerrard, Laura Karpman, Cynthia Miller, Rachel Portman, Lolita Ritmanis, Ilona Sekacz, Shirley Walker, and Debbie Wiseman.


Read an article written by Miriam for International Documentary Association Magazine
"You Shoot, They Score - A Film Composer's Tips for Finding the Right Musical Accompaniment


Read an article written by Miriam
Everything You Always Wanted to Know About Film Scoring But Were Afraid To Ask


DVD Review
by Mark Richard Hasan

Given a more quiet release on Indie specialty label Docurama, Death: A Love Story, running a smidge over an hour, relies much more on home video footage than Friedmans to chronicle filmmaker Michelle LeBrun's efforts to help her dying husband, Mel Howard, as liver cancer ultimately claim his life. In terms of film music content, the DVD is unique in offering almost 24 minutes of Miriam Cutler's gorgeous music as a bonus track. Archived separately, Cutler's music, about 10 tracks spliced one after the other, is an eclectic mix of styles that suit the film's disparate moods. Kicking off with a jazzy, folk-styled track, a repeated synth percussion motif bridges the remaining tracks that individually veer from Middle Eastern chants, small chamber passages, and some standout vocal arrangements that close the brief yet moving suite.

Cutler's scored a number of documentaries over the years, though her best-known work so far is Lost In La Mancha, that bittersweet portrait of Terry Gilliam's impossible chance to film Don Quixote, when Murphy's Law assaulted Gilliam with sometimes apocalyptic cruelty.


Charleston Post and Courier - "Circus Flora is Back at the Spoleto Festival USA 2003"
Robert Jones

"... When you go, try and pay attention to the music, which is original and composed by Miriam Cutler, about whom I know nothing except that she has concocted hours and hours of tuneful, atmospheric things that sound like nobody else's. What a pleasure to sit through a circus and not hear 'There's No Business Like Show Business' or any of the other pieces you've heard all too many times before. No, Ms. Cutler's music is just perfect for the job at hand, and you can buy a CD of it and take it home with you.


DAILY VARIETY - "Lost In La Mancha"
Derek Elley

..."they have done the next best thing: realizing parts of the script by having Chaim Bianco animate Gilliam's storyboard illustrations. These, and Miriam Cutler's lively Hispanic score, give the docu an upbeat flavor that not only parallels Gilliam's irrepressible optimism, but also make it almost a promo for raising further finance."


THE HOLLYWOOD REPORTER - TV Reviews "The Castro"

"The Peabody Award-winning documentary "The Castro" from KQED San Francisco-produced, directed, and written by Peter L. Stein with superb, evocative music from Miriam Cutler - is a pithy, excellent chronicle of one of the world's most famous gay communities."


UNCUT - Movie of the Month - "Spaniard in the Works"
Kevin Maher

"Throughout all this, Fulton and Pepe prove they have matured as filmmakers since "The Hamster Factor." This time they have their own score (an upbeat flamenco circus-type jangle from Miriam Cutler), they have original animated storyboards to fill in the missing "Quixote" footage, and they splice their material together with a sly wit..."


PRESS ARCHIVES

MIRIAM CUTLER AT THE BLA BLA CAFE
Music Connection

POLYGRAM JAZZ SERIES BASED AT VINE ST. NITERY
Variety

THEY SAY THAT WHITE GIRLS CAN'T SING THE BLUES
The Berkeley Barb

HEY JB...SHE'S PLAYING OUR SONG
Los Angeles Magazine

SWINGSTREET ALBUM REVIEW
Jazztimes

MUSIC REVIEWS
Los Angeles Herald Examiner

THE NEW MISS ALICE STONE LADIES SOCIETY ORCHESTRA/BLA BLA CAFE
Variety

NEW DAWN MAGAZINE

OINGO BOINGO LANDS IN WESTWOOD
LA TIMES

OINGO BOINGO: HOT 'N' TROTTIN
San Francisco Examiner

OINGO BOINGO BRINGS BACK OUTRAGEOUS SHOW
San Francisco Examiner

OINGO BOINGO A SUCCESS IN SHORT REPEAT L.A. RUN
Billboard

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