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EMMY
AWARD Outstanding Non-Fiction Special
GHOSTS OF ABU GHRAIB
(Composer)
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PEABODY
AWARD FOR SIGNIFICANT AND MERITORIOUS ACHIEVEMENT IN BROADCASTING
AND CABLE, 1997
"Hidden Neighborhoods of San Francisco - The Castro"
KQED-TV/PBS
(Composer) |
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GRAMMY
NOMINEE BEST JAZZ VOCAL PERFORMANCE
"Everynight- Live At Vine Street", Joe Williams
(Co-Producer) |
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CINDY
(Cinema in Industry)
Association of Visual communicators
"Different and the Same," Family Communications
AWARD FOR MUSIC COMPOSITION |
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GRAMMY
NOMINEE BEST JAZZ VOCAL PERFORMANCE
"In Good Company", Joe Williams
(Co-Producer) |
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"Buffy
Come Back", Angel and the Reruns
#1 KROQ Top Ten Request (Five Months)
(Co-Writer, Producer) |
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CINE
GOLDEN EAGLE AWARD
"California
and the American Dream: The New Los Angeles" PBS
(Composer)
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The
world's leading documentary film festival, IDFA, celebrated its 20th
anniversary with a box set of 20 award-winning films, with "China
Blue" in the line-up. The set was released at the 2007 festival. |
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CINE
GOLDEN EAGLE AWARD
"Hidden Neighborhoods of San Francisco - The Castro"
KQED-TV/PBS
(Composer) |
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CINE
GOLDEN EAGLE AWARD
"China Blue"
(Teddy
Bear Films/ITVS)
(Composer)
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NEW!

**
Miriam
was interviewed for the Special 2008 Music Issue of the
Hollywood
Reporter Article, Writing Music For Nonfiction
Films, along with several other noteworthy composers
who score documentaries. See her quotes on p.3.
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::
MIRIAM'S FEATURED IN BOOKS! ::
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Read
some rave reviews for films Miriam scored!

Women
in Film Music -- Or How Hollywood Learned to Hire Female Composers
for (at least) Some of Their Movies
Miriam
was interviewed in an article in MUSIC FROM THE MOVIES
(Issue 40 in 2003)
along with Debbie Wiseman, Shirley Walker, Rachel Portman, Laura
Karpman, Ilona Sekacz, and John Ottman.
Miriam
was
also listed in Music
from the Movies Quick
Guide to the Ten Most Prolific Female Film Composers
along with Anne Dudley, Lisa Gerrard, Laura Karpman, Cynthia
Miller, Rachel Portman, Lolita Ritmanis, Ilona Sekacz, Shirley
Walker, and Debbie Wiseman.
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Read
an article written by Miriam for International Documentary Association
Magazine
"You Shoot, They Score - A Film Composer's Tips for Finding
the Right Musical Accompaniment
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Read
an article written by Miriam
Everything
You Always Wanted to Know About Film Scoring But Were Afraid To
Ask
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DVD
Review
by
Mark Richard Hasan
Given
a more quiet release on Indie specialty label Docurama, Death:
A Love Story, running a smidge over an hour, relies much more
on home video footage than Friedmans to chronicle filmmaker
Michelle LeBrun's efforts to help her dying husband, Mel Howard,
as liver cancer ultimately claim his life. In
terms of film music content, the DVD is unique in offering almost
24 minutes of Miriam Cutler's gorgeous music as a bonus track.
Archived separately, Cutler's music, about 10 tracks spliced one
after the other, is an eclectic mix of styles that suit the film's
disparate moods. Kicking off with a jazzy, folk-styled track,
a repeated synth percussion motif bridges the remaining tracks
that individually veer from Middle Eastern chants, small chamber
passages, and some standout vocal arrangements that close the
brief yet moving suite.
Cutler's
scored a number of documentaries over the years, though her best-known
work so far is Lost In La Mancha, that bittersweet portrait
of Terry Gilliam's impossible chance to film Don Quixote,
when Murphy's Law assaulted Gilliam with sometimes apocalyptic cruelty.
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Charleston
Post and Courier - "Circus Flora is Back at the Spoleto Festival
USA 2003"
Robert Jones
"...
When you go, try and pay attention to the music, which is original
and composed by Miriam Cutler, about whom I know nothing except
that she has concocted hours and hours of tuneful, atmospheric things
that sound like nobody else's. What a pleasure to sit through a
circus and not hear 'There's No Business Like Show Business' or
any of the other pieces you've heard all too many times before.
No, Ms. Cutler's music is just perfect for the job at hand, and
you can buy a CD of it and take it home with you.
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DAILY
VARIETY - "Lost In La Mancha"
Derek Elley
..."they
have done the next best thing: realizing parts of the script by
having Chaim Bianco animate Gilliam's storyboard illustrations.
These, and Miriam Cutler's lively Hispanic score, give the docu
an upbeat flavor that not only parallels Gilliam's irrepressible
optimism, but also make it almost a promo for raising further
finance."
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THE
HOLLYWOOD REPORTER - TV Reviews "The Castro"
"The
Peabody Award-winning documentary "The Castro" from
KQED San Francisco-produced, directed, and written by Peter L.
Stein with superb, evocative music from Miriam Cutler - is a pithy,
excellent chronicle of one of the world's most famous gay communities."
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UNCUT
- Movie of the Month - "Spaniard in the Works"
Kevin Maher
"Throughout
all this, Fulton and Pepe prove they have matured as filmmakers
since "The Hamster Factor." This time they have their
own score (an upbeat flamenco circus-type jangle from Miriam Cutler),
they have original animated storyboards to fill in the missing "Quixote"
footage, and they splice their material together with a sly wit..."
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PRESS
ARCHIVES
MIRIAM
CUTLER AT THE BLA BLA CAFE Music Connection POLYGRAM
JAZZ SERIES BASED AT VINE ST. NITERY Variety THEY
SAY THAT WHITE GIRLS CAN'T SING THE BLUES The Berkeley Barb HEY
JB...SHE'S PLAYING OUR SONG Los Angeles Magazine
SWINGSTREET
ALBUM REVIEW
Jazztimes
MUSIC REVIEWS
Los Angeles Herald Examiner
THE NEW MISS ALICE STONE LADIES
SOCIETY ORCHESTRA/BLA BLA CAFE Variety
NEW DAWN MAGAZINE OINGO
BOINGO LANDS IN WESTWOOD
LA TIMES
OINGO
BOINGO: HOT 'N' TROTTIN
San Francisco Examiner
OINGO
BOINGO BRINGS BACK OUTRAGEOUS SHOW
San Francisco Examiner
OINGO BOINGO A SUCCESS IN
SHORT REPEAT L.A. RUN
Billboard
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